From the Article: “The other major work of music theatre this month in no way fits the traditional operatic mould. It is Musik für das Ende written in 1971 by Claude Vivier (1948-83), now regarded as one of Canada’s greatest composers. The work Vivier described as a “grande cérémonie funèbre” was originally written for 20 performers divided into three groups, two of which are visible with one offstage. All the singers play instruments and are given specific physical tasks to perform. These instructions written into the score demonstrate that Vivier intended the work to be staged.
The piece was first performed in concert in 2012; Soundstreams will have the honour of presenting the world premiere staging of the work. Vivier, a devout Catholic, writes in his preamble to the score that the work was the product of his meditation that we are all surrounded by human beings destined to die: “I experienced the increasingly strange ceremony of beings disappearing forever and becoming ‘an infinite moment’ in eternal silence. This became … a Ceremony of the End, infused with the hope that humanity would understand the real meaning of its earthly experience and ultimately purify itself.”